Wolf of wall street soundtrack movie#
Then again, this is a Quentin Tarantino World War II film, one that’s completely bonkers and, by the end, has rewritten history so that a group of Nazi scalpers have butchered Adolf Hitler (and many other awful, awful people) in a locked movie theater. David Bowie – “Cat People” From Inglourious Basterds (2009)ĭavid Bowie’s theme for the remake of Cat People was strange even for the remake of Cat People, not to mention a World War II film. Taken out of context, the tune can be quite funny-see its genius use in Boogie Nightsfor proof-but here, it reaches Cybertronian levels of badassery.
While originally written for the Stallone vehicle Cobra, “The Touch” was born to help robots kick the shit out of each other. Optimus dies a slow and painful death (he gets resurrected later on in the show, thank God), and Megatron, while severely beaten, gets reborn a few minutes later in the movie as Galvatron. Lightsabers are drawn! And Bush wails through it all, casting self-help pearls of wisdom like, “When all Hell’s breakin’ loose, you’ll be riding the eye of the stooorm!” Despite Bush’s positivity, the battle’s outcome is pretty grim. “Megatron must be stopped…” proclaims Optimus, gazing out on the ruins of Autobot City and sending tingles down fanboys’ spines, “…no matter the cost.” Bush’s synths kick in and Optimus transforms into truck mode, mowing down a gauntlet of Decepticons to get to his arch-rival.
And no fight in the film is as epic or brutal as the death-match between respective Autobot and Decepticon leaders Optimus Prime and Megatron, set almost entirely to Stan Bush’s stadium-sized slice of cheese rock, “The Touch”. They just fit, especially when the giant alien robots are clobbering-and, for the first time, actually killing!-each other. But the film’s songs were actually more in line with the Transformers aesthetic: loud, dumb, and cartoonishly violent.
Wolf of wall street soundtrack series#
The Transformers: The Movie‘s soundtrack of no-name hair metal only seems strange because of what came before it-the TV series was filled with the kind of orchestral caper music that scored everything from Thundercats to Hanna-Barbera cartoons. Stan Bush – “The Touch” From Transformers: The Movie (1986) So, you can’t exactly fault filmmakers and/or soundtrack producers for attempting to take risks in that area, even if they’ve left us confused in the aisles post-credits.Ģ0. It’s that “strange” match where sound and vision come together in perfect chaotic harmony. Somehow, a good number of the song choices ahead actually work. It’s that “strange” habit where sweet = creepy, creepy = hilarious, and so on. If they attempted to be dumb, they wound up being cool. If the filmmakers were trying to be cool, they came off dumb. The end result of nearly all of these songs-whether positive or negative-feel merely accidental. But if we’re going by its standard definition, the adjective simply means: “unusual or surprising in a way that is unsettling or hard to understand.” So, keep that in mind when you’re clicking ahead through the “strange” soundtrack choices that have popped up in film over the last few decades.Īlthough, looking at this list, misguided may have been a more appropriate descriptor. On April 10, an affiliate of Red Granite secured a preliminary order from a Florida court preventing more than 150 websites from selling products it alleges infringe on its ownership rights, and it’s working with lawyers to take down pirated versions of the movie.The word “strange” has so many connotations, especially with regards to film. Buyers will become members of an online community where they can purchase swag such as props and costumes and hear remixed songs from the soundtrack. “This is a way to protect the intellectual property of the film,” says Randy Hermann, Red Granite’s chief financial officer.įor $100 and up, the company says, fans will have the opportunity to own collectible NFTs linked to scenes from the Martin Scorsese megahit, which grossed more than $400 million at the box office. So Red Granite is seeking to sell nonfungible tokens, or NFTs, to help it monetize the fan base and keep pirates at bay.
But Red Granite Pictures, the production company that owns the rights to Wolf, doesn’t get a cent of that money. Thousands of memes and clips circulate on sites such as Discord and Reddit, and countless goods based on the movie-posters, iPhone cases, hoodies-sell on EBay, Etsy and Redbubble. The 2013 film The Wolf of Wall Street, starring Leonardo DiCaprio as the debauched-stockbroker-turned-felon Jordan Belfort, has achieved cult status on web forums.
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